Nguyen has achieved what all great poetry does, and does so using only a very few letters and words, which he arranges to unveil their swarming connections to all human language. His presentations of his poems as visual and graphic fields, with strong color elements, makes his work an endless source of fascination. John M. Bennett
Monday, December 24, 2018
fable, the deer and the reed
DⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRDⴺDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRⴺⴹDⴺⴹRDⴺⴹDⴺⴹRDⴺⴹDⴺⴹRDⴺⴹDⴺⴹRDⴺⴹR
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John M. Bennett & Nguyen Đao Claude - 5 S/M/O/K/E JMB after Ivan Argüelles after JMB
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